头条

埃菲尔·庄 Eiffel Chong

埃菲尔·庄的作品通过平庸的细节、静谧的风景和他从日常生活中观察到的好奇的困扰，思考了抽象的生死概念。他对摄影媒介如何将特定的时间和空间、记忆和思想转化为永久的东西感兴趣。他个人认为这些图像说得多，说得少，让人只想凝视和思考。

《泥、捣碎的绣球花叶和绿色沙拉》

Eiffel’s floral arrangements, anthropomorphised and staged by the artist to suggest a keen sense of interaction is devoid of human presence. They are executed in an aesthetic stoic and solemn style, often familiarly associated with Eiffel’s unique style. Juxtaposed against a backdrop of attention-grabbing colors, the artist’s removal from the artwork beckons for scrutiny, an invitation into an arena that some might deem too close for comfort. A closer look at the suggestive title would unveil the conditions that each flower responds to, a nod to the rollercoaster ride that life hands out to the best of us.

陈体源 Tan Tay Guan

陈体源，毕业于伦敦吉尔德霍尔大学，获得艺术硕士学位。他拥有英国中英格兰大学摄影（荣誉）学士学位。回到马来西亚后，他一直是多所大学的活跃院士，他协助开发艺术与设计学科的课程。目前，他是马来西亚拉曼大学学院的项目负责人，负责平面设计课程。

陳體源的照片反映了他一生中遇到的对跨文化的好奇，他也是社会不公、气候变化、性别歧视、种族不容忍以及当今世界面临的其他问题的倡导者。他认为，通过摄影作为一种教育媒介，世界可以变得更好。

《伪装的身体？》

我第一次遇到舞踏是在2008年，就舞者的表演方式而言，我对这种当代舞蹈的第一印象是非常奇怪的。我很好奇，直到我遇到了我的一位同事，他也参加了这个有趣的舞蹈，能够更进一步地了解这个当代舞蹈。

舞蹈更多的是关于舞者身体的自我表达，以探索与周围环境有关的问题，这些问题产生于社会不公正、气候变化、性别歧视、种族不容忍以及当今世界面临的其他问题，这些都充分反映在舞者精心设计的身体动作上。

我特别感兴趣的是舞蹈演员们自发的反应，以及奇怪但扭曲的肢体动作。与芭蕾舞等更注重技术性和超越人类正常能力的主流舞蹈不同，这种舞蹈更注重舞者自发和自然的身体反应。

在这一系列图片中，我试图通过舞者的自我表达来描绘粗鲁的肢体动作和粗鲁的习惯。与此同时，这位舞者的动作也让我想起了韩国主流电影中的僵尸角色，这些角色在前几年很流行，比如《釜山行》。

《Body in Disguise?》

I first encountered Butoh in 2008, my first personal impression of this contemporary dance is weird and odd in terms of the way the dancers performed. I was curious to find out until I met one of my colleagues who also participated in this interesting dance and could get closer and further understand this contemporary dance.

The dance is more about self-expression of the dancer’s body towards their exploration with surroundings pertaining issues arises from social injustice, climate change, gender discrimination, racial intolerant and other issues faced by the world today, which reflected fully on their choreographed body movements.

I was particularly interested in the spontaneous reaction and yet odd but beautifully distorted body gestures that were expressed through the dancers. Unlike mainstream dances which emphasized more on technicality and beyond normal human capability such as ballet, this dance emphasized more on the spontaneous and natural body reaction of a dancer.

In this series of images, I am trying to portray crude physical gestures and uncouth habits through the dancer’s self-expression. Meanwhile, the dancer’s gestures also remind me of mainstream Korean movies of zombies’ characters that were popular in previous years such as Train to Busan.

何德龙 Hoe Teck Loong

《杂货店的男孩》

在成长过程中，我的朋友们总是叫我“杂货店的男孩”，因为我过去20年几乎都住在柔佛州一个小镇上我父母的商店里。我家经营一家杂货店。我将展示一些超现实/隐喻的照片系列，这些照片是关于我作为一个杂货店男孩的生活，包括我生活的地方有什么有趣的事情，我一直喜欢做什么事情，以及这些年来这个地方是如何塑造我的生活的。

《Grocery Boy》

Growing up, my friends always called me "grocery boy" as I've almost lived through the past 2 decades in my parents' shophouse from a small town in Johor. My family runs a grocery store business. I will be showing some surreal/ metaphor photographs series of my life as a grocery boy as what interesting facts at the place I lived, what things that I always enjoy to do and how the place shaped my life throughout the years.

陈文乐 Ivan Chan Wen-Le

《我隐藏的一面》

每个人都在经历一些我们看不到的事情。很多时候，我会试图把我的情绪和真实感受隐藏在内心。许多时候，我感觉自己快淹死了，我感觉呼吸困难。当我照镜子时，我总是想知道别人怎么看我。无论发生什么事，我都会摆出笑脸。因为我最害怕的是别人最终会以我看待自己的方式看待我。

《The Hidden Side of Me》

Everyone is going through something we can't see. A lot of times, I would try to hide my emotions and real feelings inside me. A lot of times, I feel like I'm drowning, I feel like I can't breathe. When I look at myself in the mirror, I always wonder how others see me. No matter what happened, I would just put on a smiley face. Because my greatest fear is that others will eventually see me the way I see myself.

陈凯柔 Tan Kal Zol

《追求美》

我一直是一个欣赏美的女孩。我喜欢看起来漂亮，我想穿我想穿的衣服，我想学会自己化妆。我相信很多女孩，像我一样，都想表现得很好。在我们努力追求魅力的同时，我们应该通过“节食”来保持我们的体型。当女孩节食时，我们经常观察到蔬菜的重复。因此，我想用一些时装或化妆品和蔬菜拍摄《追求美》。

《Pursuing Beauty》

I've always been a girl who appreciates beauty. I like to look beautiful, I want to wear what I want, and I want to learn to do my own make-up. And I'm sure a lot of girls, like myself, want to appear nice. While we strive for attractiveness, we shall maintain our physical shape through "diet." When girls are on a diet, we often observe some repetition of veggies. As a result, I'd like to photograph "Pursuing Beauty" with some fashion or cosmetics and vegetables.

郑芷晴 Vivian Tee Zhi Qing

《多重人格障碍》

在我的心里，我有很多性格。有时我是一个小女孩，有时我需要像男人一样坚强，有时我是一个独立的女人等等。在这个系列中，我想谈谈DID(分离性身份识别障碍)，这是一种精神障碍，其特征是保持至少两种不同的和相对持久的人格状态。虽然我没有被诊断出来，但有时我觉得我像DID的病人一样有多重人格。通过这个摄影系列，我将谈论我的一些人格。

《Dissociative Identity Disorders》

In my heart, I have many characters. Sometimes I was a little girl, sometimes I needed to be strong as a man, sometimes I was an independent woman, etc. In this series, I would like to talk about DID (Dissociative identity disorders) which is a mental disorder characterized by the maintenance of at least two distinct and relatively enduring personality states. Although I am not diagnosed, sometimes I feel that I have multiple personalities like a DID’s patient. Through this photography series, I will talk about some of my characters.

亚诺泰·帕洛辛  Yanotai Palosin

《解放》 

纳帕帕特·索蓬维查昆

Napapat Soponvichankun

《眼神接触》 

When you get to lay your eyes on magnificent things, it seems like everything around you just create some kind of positive energy or it can be said happiness in your mind this happens unconsciously. It is as though these gorgeous things were trying to interact with humans through senses like sight, taste, smell, sound, and touch. However, many times we tend to overlook it because we are used to seeing these things in general. Though, it has made me realize and perceive the message from visualizing all these things surrounding me.

塔万查伊·费索帕 

Tawanchay Phaisopa

《芭提雅海滩》

《Pattaya Beach》