头条

济南国际摄影双年展第三届高校邀请展

“微芒成阳”亚太地区高校摄影邀请展

—西安理工大学

艺术总监：曾毅

总策展：张辉、黄荣华(土耳其)、柳银珪(韩国)

学术主持：姚璐

联合策展人：李小舟

西安理工大学摄影专业依托西安理工大学综合类高校优势，以“艺工融合交叉”为教学方法，以“中华文脉贯通”为创新手段，培养具有艺术摄影、设计实践和综合影像创作基础与创新能力，具有较强历史责任感和人文关怀精神、德才兼备的高水平复合型人才。

2004年招生以来，成为“中国电影家协会数字媒体委员会理事单位”“陕西高校摄影学会摄影教育专业委员会主任单位”，获“全国八大摄影院校”“全国十佳摄影院系”等荣誉。承担国家级基金3项及数十项文化部科技创新等省部级科研项目。教师获得教育部颁发的指导教师一等奖2项、二等奖3项，以及索尼世界摄影银奖、德国红点奖等。指导学生获文化部、教育部等省部级以上奖励10项，平遥国际大展院校奖18个以及业内各大展览首奖60余项。在《文艺研究》《美术》《装饰》《中国摄影》等杂志发表论文50余篇，编写专著及教材8部。

作为主办单位与中国摄影家协会教育委员会、陕西省教育厅等共同举办“保持记录西安国际摄影邀请展 ”“陕西省首届大学生摄影大展”“中意高校摄影邀请展”“中日韩高校摄影邀请展”“亚太地区高校摄影邀请展”等8次大型学术活动。

Relying on the advantages of comprehensive colleges and universities of Xi'an University of Technology, thephotography major of this school adopts the teaching method of "integration of art and industry" and the innovative means of "Chinese cultural continuity" to cultivate high-level compound talents with strong sense of historical responsibility, humanistic spirit and a combination of virtue and ability, who have the basic and innovative ability of artistic photography, design practice and comprehensive image creation. 

Since the enrollment in 2004, it has become the " Director Unit of Digital Media Committee of China Film Association ", "Director Unit of Photography Education Committee of Shaanxi University Photography Society ", and has won the honors of "Top 8 Photography Colleges in China" and "Top 10 National Photography Departments". It has undertaken 3 national level funding projects and dozens of provincial and ministerial level scientific and technological innovation projects of the Ministry of Culture. Teachers have won 2 first prizes and 3 second prizes for instructors issued by the Ministry of Education, as well as the Sony World Photography Silver Award and the German Red Dot Award. Under the guidence, students have won 10 awards at the provincial and ministerial level or above from the Ministry of Culture and the Ministry of Education, 18 institutional awards from the Pingyao International Photography Festival as well as more than 60 first prizes from major exhibitions in this industry. Over 50 papers have been published in magazines such as "Literature & Art Studies", "Art Magazine", "Art & Design" and "Chinese Photography". 8 monographs and teaching materials have been written and compiled.

西安理工大学艺术与设计学院副院长、教授，中国高等教育学会理事、摄影教育专业委员会副理事长；陕西省摄影家协会副秘书长。

曾获教育部颁发的指导教师一等奖2项，陕西省人民政府颁发的陕西省第十五届哲学社科二等奖，索尼世界摄影二等奖；中国高等教育学会摄影教育专业委员会颁发的“中国摄影教育优秀教学奖”及“中国摄影教育特殊贡献奖”等。

主持国家社科基金后期资助、国家艺术基金及文化部科技创新等10余项课题。

《逃离的日志》

《Log of Escape》

李小舟 Li Xiaozhou

西安理工大学艺术与设计学院影像动画系主任，2004年毕业于西安美术学院版画系摄影专业获学士学位；2013年毕业于西安理工大学艺术与设计学院获硕士学位；2004年至今于西安理工大学艺术与设计学院影像动画系摄影专业任教。陕西摄影家协会会员；陕西高校摄影学会副秘书长；陕西高校摄影学会摄影专业教学委员会秘书长。作品多次在国内摄影节、美术馆展出。

《隐逸的白鹿》

白鹿塬是西安城东的一座黄土台塬，因陈忠实先生的小说而深入人心，如果去了解历史，其实这座古塬早已源远流长。从新石器时期的“华胥之渚”，到周平王时期的白鹿传说，到汉文帝的霸陵，到白居易的诗句“白鹿塬头信马行”，再延续到陈忠实先生的文学巨作，就可以明了这里的历史文化渊源。

对于城市而言，白鹿塬显而易见，结结实实的高出地面百余米，这种落差强调了上塬与下塬的形式感，也正因如此，使它没有很快的消失在城市化的进程中。今天的白鹿塬上，大多数地方还保持着农耕状态和村落生活，但是麦子、玉米的种植已经大幅度减少，被经济价值较高的樱桃、白皮松所取代，到了樱桃成熟季，前来采摘的游客络绎不绝。居住塬上的人们以传统的农耕方式世代生活在这里，笃信着这片土地的收获会使他们生活的更好。

长久以来，白鹿塬不动声色的遁藏在城市边缘，工业文明所带来的支棱密布的水泥森林已让很多人忘记了我们其实根植于农耕文化，而正是这座黄土塬随时唤醒着我们远古的记忆。一个雪后的傍晚，夕阳斑驳的投射在混杂着雪的麦地上，秦腔的声响悠远的飘散在沟谷里，村庄里的炊烟逐渐升腾，田地间新旧不一的坟冢静默的看着这一切周而复始的运转，这一刻，我相信那只隐逸在塬上的白鹿真的存在。

《Reclusive White Deer》

White Deer tableland is a loess tableland in the east of Xi'an, which has been deeply rooted in the hearts of the people because of Mr. Chen Zhongshi's novels.But if you look into the history, you will find that this ancient tableland has a long history. From the Neolithic period "Huaxu Islet", to the legend of the White Deer in the period of King Ping of Zhou, to the Ba mausoleum of Emperor Wen of Han, to the poem of Bai Juyi, "Horseback riding on the White Deer tableland ", and then to Mr. Chen Zhongshi's literary masterpiece, we can understand the historical and cultural origin of this place. 

For the city, the White Deer tableland is easy to see. It is more than 100 meters higher than the ground. This drop emphasizes the sense of form of upper and lower tableland. Because of this, it did not disappear in the process of urbanization very quickly. On today's White Deer tableland, the farming state and village life are still maintained in most places, but the planting of wheat and corn has been greatly reduced and replaced by cherries and white pines with high economic value. In the harvest season of cherries, there is an endless stream of tourists coming to pick them. People living on the tableland have lived here for generations in the traditional farming way, believing that the harvest of this land will make their lives better.

For a long time, White Deer tableland has been quietly hidden at the edge of the city. The densely ribbed cement forest brought about by industrial civilization has made many people forget that we are actually rooted in farming culture, and it is this loess tableland that wakes up our ancient memories at any time. One evening after the snow, the sunset was dappled on the wheat field mixed with snow, the sound of Shaanxi Opera drifted far away in the valley. The smoke from cooking in the village gradually rose. The graves in the fields, old and new, looked at all the movements in silence. At this moment, I believed that the reclusive  white deer on the tableland really existed.

（请以横屏观看）

彭敏 Peng Min

《光合作用》

光合作用是自然界中生物赖以生存的基础。城市中真树与假花交融，树木和草地被缠绕了密密麻麻的灯泡、灯珠、灯管等灯饰令人眼花缭乱，有些灯饰由于时间的原因，已经嵌入到树木体内。夜幕降临后，被点亮的树木和草地灯火通明如同白天一样，灯饰散发着热量，昼夜给树木增光，在灯光的入侵中植物们进行着无效的光合作用。

《Photosynthesis》

Photosynthesis is the basis for the survival of living things in nature. In the city, real trees blend with fake flowers. The trees and grasslands are wrapped with dense lamps, beads, tubes and other lights, which are dazzling. Some lights have been embedded into trees due to time. After nightfall, the lighted trees and grasslands are as bright as in the daytime. The lights emit heat and brighten the trees day and night. In the invasion of light, plants are conducting ineffective photosynthesis.

王子旋 Wang Zixuan

刘熠璠 Liu Yifan

According tothe statistics of the National Health Commission in 2022, there are 190.64 million elderly people aged 65 and above,  accounting for 13.50% of the total population. The size of the elderly population is huge and aging is getting worse. More and more children choose to send the elderly to nursing homes to spend their old age due to excessive social pressure. However, due to the uneven level of nursing homes and less care from their children, the mentality and lifestyle of the elderly in nursing homes have changed, and loneliness and loneliness have always accompanied them. Through photography, I hope to show the daily life of elderly people in nursing homes to the public, so that all sectors of the society can pay attention to them and help them solve some practical problems.

王佳旭 Wang Jiaxu

《BALL时代》

入围第三届1839摄影奖

2021平遥国际摄影大展“院校优秀作品奖”

2021丽水摄影节“新学院 新影像”特别收藏奖

《The Age of BALL》

The work is a digital image work created by using 3D modeling and rendering technology. Its intention is to describe our urban life in a surreal and slightly teasing way. We are like spheres, squeezed and pushed, but tirelessly rolling forward, spending every day crowded in this tedious era of rapid development.

王瑞景 Wang Ruijing

《城中村》

2021平遥国际摄影大展“院校优秀作品奖”

随着我国城市高速发展的进程，越来越多的城中村消失在现代都市之中，作品试图用数字三维技术来还原、留存一个我们共同的城市记忆。

《Urban Village》

With the rapid development of cities in China, more and more villages in cities disappear in modern cities. The work attempts to restore and retain a common urban memory with digital 3D technology.

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