第九届济南国际摄影双年展（第9期）_头条

“微芒成阳-亚太地区高校摄影邀请展”（第9期）

济南国际摄影双年展第三届高校邀请展

“微芒成阳”亚太地区高校摄影邀请展

—西安美术学院

艺术总监：曾毅

总策展：张辉、黄荣华(土耳其)、柳银珪(韩国)

学术主持：姚璐

联合策展人：董钧

西安美术学院

西安美术学院是中国八大美术学院之一，经过五十多年的建设，目前已成为学科门类全、师资力量雄厚，集教学、科研、创作为一体的西北高等美术教育中心，也是西北地区唯一的高等美术学院。学院为适应时代的需要，发挥美术学院的优势，1988年申报摄影专业，于1995年在版画系设立了摄影专业开始招收培养专科生，1999年开始招收本科生，2002年起招收硕士学位研究生，2009年版画系摄影专业、影视摄影专业与设计系动画专业三个专业合并为影视动画系。摄影专业现有在校学生200余人，为国家级一流专业，陕西省特色专业，是国内美术学院最早建立的摄影专业之一。摄影专业现拥有客座教授2名、副教授4名、系聘教授2名，为具有培养硕士、学士不同学历层次的教学单位，下设艺术摄影工作室、实验影像工作室，拥有传统银盐暗房实验室、数字摄影实验室、摄影拍摄实验室。摄影专业注重培养学生独立思考与创作的能力，不断激发学生在新技术与新观念上的实验与探索精神，旨在创作出更具当代视野与人文关怀的作品。摄影专业依托美术学院的学术氛围与背景借助各学科间的交叉与融通，提倡作品的艺术性与思想性，强调作品对当代、当下生活的关注与思考，对艺术本体的实验与探索。多次聘请国内外知名专家学者前来进行讲座、授课，开办工作坊，并积极组织策划了一系列的重要展览与学术交流活动，有效地提升了摄影专业在国内的学术地位和影响力。

Xi'an Academy of Fine Arts

Xi'an Academy of Fine Arts is one of the eight major art academies in China. After more than 50 years of construction, it has now become a Northwest Higher Art Education Center with a wide range of disciplines and strong teachers, integrating teaching, scientific research and creation. It is also the only one in Northwest China. High School of Fine Arts. In order to meet the needs of the times and give full play to the advantages of the Academy of Fine Arts, the college applied for photography in 1988. In 1995, it established a photography major in the Department of Printmaking and began to recruit and train junior college students. In 1999, it began to recruit undergraduate students. Since 2002, it has recruited postgraduate students. In 2009, the three majors of the Department of Printmaking and Photography, the Department of Film and Television Photography and the Department of Design and Animation were merged into the Department of Film and Television Animation. There are more than 200 students in the photography major. It is a national first-class major and a special major in Shaanxi Province. It is one of the earliest photography majors established by the domestic academy of fine arts. The photography major now has 2 visiting professors, 4 associate professors, and 2 department-appointed professors. It is a teaching unit with different educational levels of master's and bachelor's degrees. It has an art photography media studio, an experimental image studio, and a traditional silver salt darkroom experiment. studio, digital photography lab, photographic shooting lab. The photography major focuses on cultivating students' ability of independent thinking and creation, and constantly stimulates students' spirit of experimentation and exploration in new technologies and new concepts, aiming to create works with more contemporary vision and humanistic care. Relying on the academic atmosphere and background of the Academy of Fine Arts, the photography major promotes the artistry and ideology of the works, emphasizes the attention and thinking of the works on contemporary and current life, and the experiment and exploration of the art itself. Many well-known experts and scholars at home and abroad have been invited to give lectures, lectures, and workshops, and actively organized and planned a series of important exhibitions and academic exchange activities, which effectively enhanced the academic status and influence of photography in China.

董钧 Dong Jun

艺术家、策展人，西安美术学院影视动画系摄影专业主任。1839 摄影奖发起人。他的研究方向涉及影像创作、电影制作、展览策划与艺术教育等领域。他关注全球化语境下的社会公共议题与在地化个人思考，作品呈现出对丰富而多变世界的人性关怀与探讨，试图去触摸及分享最为敏感和细腻的社会肌理与时代境遇。

《独眠仍独坐，开衿当风前》

从历史上第一部电影《火车进站》伊始，火车就作为人类划时代的交通工具，更象征了电影技术发展的起源。2021年，我为新片踩点和勘景，乘坐了中国历史上第一条电气化铁路宝成铁路的出陕入川段6063次列车，一路经过108个隧道，38个车站，24所学校，这班列车仿佛一个异类，像是被嵌刻在了历史的褶皱里，64年从未涨价，秦岭深处的人们的出行年复一年的沿着这条线路。而随着兰渝线和后来的西成高铁修通之后，6063次列车逐渐没落。一个男人伏桌而睡，忽而翠绿，忽而漆黑，绿色的车身在秦巴山间的褶皱里穿梭，过去犹如光影，交映在现实与未来之间。我的脑海中浮现出白居易《朝归书寄元八》中的关于秦岭的诗句，“独眠仍独坐，开衿当风前。”

《Alone To Wind》

From the beginning of the first film in history, "A Train in a Station", the train has been used as an epoch-making means of transportation for mankind, and it also symbolizes the origin of the development of film technology. In 2021, I stepped on and surveyed the scene for the new film, and took the 6063 trains of the Baocheng Railway, the first electrified railway in Chinese history, from Shaanxi to Sichuan, passing through 108 tunnels, 38 stations, and 24 schools. It seems to be an anomaly, embedded in the folds of history. The price has never increased in 64 years. People in the depths of the Qinling Mountains travel along this route year after year. With the completion of the Lanyu line and the later Xicheng high-speed rail, the 6063 trains gradually declined. A man fell asleep on the table, suddenly emerald green, then dark, the green body shuttled in the folds of the Qinba Mountains, the past was like light and shadow, reflecting between the reality and the future. The poem about Qinling wrote by Bai Juyi appeared in my mind.

苏晟 Su Sheng

西安美术学院副教授，硕士研究生导师，影视动画系艺术摄影工作室负责人。中国摄影家协会会员，陕西省摄影家协会理事、摄影教育专委会主任，西安市青年摄影家协会副主席，陕西高校摄影学会副秘书长，陕西省美协实验艺术委员会委员，陕西艺术创作研究院研究员，陕西百名青年文学艺术家扶持计划成员（百青人才一期2014-2020）。

《原境》

对这一主题的关注来源于巫鸿先生的论著《中国古代艺术与建筑中的纪念碑性》中提到的“contextual”一词。虽是误读，却也使我对某些特定的场域产生了兴趣。我在各地的行走中，与某个空间偶然相遇，有些形象、符号会使历史与现实发生有趣的联系。这种联系可能基于场景中的物与当下现实混合出的隐喻特征，也可能仅仅是我个人的臆想。

《The Original Scene》

The reference to the term "contextual" in Mr. WuHong's book, “A monument in ancient Chinese art and architecture" caught my attention. Although it is a misreading, it also makes me interested in some specific fields. In my travels around the world, some images and symbols will bring about an interesting connection between history and reality in certain circumstances. This connection may be based on the metaphorical characteristics of the mixture of objects in the scene and the current reality, or it may be just something I imagined.

马晓亚 Ma Xiaoya

《乌有花园》

《乌有花园》的拍摄对象是换装自拍馆，拍摄内容包括在这个场所中进行换装自拍游戏的女性以及此场所为女性构建的布景空间。这里将目光投向了亚文化和他国文化上，构建了一个个极具特殊性和观赏性的布景。女性在这样的布景前自拍，有时不仅仅是确认自我形象，更暗含着现实中无法满足的物质及精神上的期许，借助布景和服装的掩盖，在这个环境下迅速完成了一次自导自演的形象建构与提升。在这狭促空间中构建起的新的时空关系与美好幻象带给女性带来了一种奇妙的身心体验。

《Garden of Nowhere》

The subject of "Garden of Nowhere" is a dress-up selfie studio, and the filming content includes the women who play dress-up selfie games in this venue and the set space constructed for women in this venue. Here, we turn our attention to subcultures and cultures of other countries, and build a very special and ornamental setting. Women taking selfies in front of such a set sometimes not only confirm their self-image, but also imply unsatisfied material and spiritual expectations in reality. With the help of the set and clothing, they quickly completed a self-directed and self-acted performance in this environment. Image construction and enhancement. The new time-space relationship and beautiful illusion built in this cramped space bring women a wonderful physical and mental experience.

王子琪 Wang Ziqi

1999 年出生于江苏徐州，就读于西安美术学院影视动画系摄影专业，于2021年进入实验影像工作室。作品《Expecto Partonum》在2022届“时空无痕无界西美”西安美术学院本科毕业季展览中获得一等奖并留校收藏。作品《Expecto Partonum》入围第四届1839摄影奖。

《守护神咒》

“Expecto Patronum”本是哈利波特系列中的一则咒语，在电影中只有拥有爱的能力的人，当遇到危险时，才可以使用咒语呼唤出自己的守护神保护自己。苦闷于毕业设计该如何继续进行下去时，在与母亲闲聊之中，当我仅仅向母亲谈及其实我的平板壳后一直刻有她和我父亲的生日并且中间夹杂了一个“守护神咒”，母亲很自然直接的说到“我和你爸爸就是你的守护神。”

爸爸在诗中写到“愿你低声啜泣，但是不要彻夜不眠。”

如同我想表达的那样，家庭是我的守护神，是我遇到困难摧折时最大的底气。当我回看过往，回看记忆，回看那些病痛，回看我的成长，我一次次被过去的照片所打动。正如罗兰巴特在《明室》所写摄影的意义在于“此曾在”般直击心灵，摄影所记录的不止当下，在按下快门的那一刻便注定图像的永恒会与未来相交织，过去的存在被印上时间的烙印。每一张家庭影像背后的拍摄者都是最优秀的摄影师因为他们拥有将爱的情感量化在图像之中的能力，这种爱的情感是无法具象化的，却总能直击心灵最打动人。我希望通过摄影可以温柔的触碰那段记忆，触碰我的成长，触碰我身边所有的爱，让温柔的爱意在当下，在我的作品中重新，发光，再次温暖我。

《Expecto Partonum》

"Expecto Patronum" was originally a spell in the Harry Potter series. In the movie, only those with the ability to love can use the spell to call out their patron saint to protect themselves when they are in danger. When I was distressed about how to proceed with the graduation project, it was in my mother's small talk. When I only talked to my mother about the fact that my tablet shell has always been engraved with her and my father's birthdays, and there is a "patron angel" in the middle, Mother said naturally and directly, "I and your father are your patron saints."

Dad wrote in the poem, "May you cry in a low voice, but don't stay up all night."

As I want to express, family is my patron saint and my greatest strength when faced with difficulties. When I look back at the past, look back at the memories, look back at the pain, look back at my growth, I am moved by the photos of the past time and time again. Just as Roland Barthes wrote in "Bright Room", the meaning of photography is to directly hit the soul like "this was there". Photography records more than the present. The moment the shutter is pressed, the eternity of the image is destined to be intertwined with the future. Existence is imprinted with time. The photographers behind each family image are the best photographers because they have the ability to quantify the emotion of love in the image. This emotion of love cannot be visualized, but it always strikes the heart and touches people the most. . I hope that through photography, I can gently touch that memory, touch my growth, touch all the love around me, and let the gentle love re-emerge in my works, and warm me again.

施阳 Shi Yang

施阳，1998 年出生于福建三明，本科就读西安美术学院影视动画系摄影专业，2022 年免试攻读西安美术学院影视动画系摄影艺术研究生。1839摄影奖项目助理。其创作以摄影为主，关注于社会、性别、身体的权力关系等议题。

《消亡在黎明前》

创作内容是对“社会规则”的思考。灵感来源于加缪的小说《局外人》，小说通篇贯穿两个字——规则。主人公最终面临死亡，也是因为他的做法、行为与当下社会看似合理化的强制规则相驳。因此，我开始思考这个社会各式各样的规则，这些规则的存在，对思想各异的人而言，是好是坏。

《Die Before Dawn》

My creating content is thinking about "social rules". Inspired by Camus' novel The Outsider, the novel runs through two words - rules. The protagonist finally faces death because his actions and behavior contradict the seemingly rationalized mandatory rules of contemporary society. So I started thinking about the various rules of this society, and the existence of these rules is good or bad for people of different ideas.

济南国际摄影双年展第三届高校邀请展“微芒成阳-亚太地区高校摄影邀请展”

美国参展院校：旧金山艺术大学

澳大利亚参展院校：昆士兰艺术学院

日本参展院校：大阪艺术大学、东京造形大学、日本九州产业大学

韩国参展院校：中央大学、弘益大学、中部大学、大邱艺术大学、韩国放送艺术教育学院

土耳其参展院校：萨班哲大学、科克大学

新加坡参展院校：拉萨尔艺术学院、南洋理工大学

马来西亚参展院校：拉曼大学学院

泰国参展院校：兰实大学

印度尼西亚参展院校：印尼日惹艺术学院

中国台湾地区参展院校：明道大学

中国参展院校：北京印刷学院、湖北美术学院、黄河科技学院、鲁迅美术学院、南京艺术学院、清华大学美术学院、山东工艺美术学院、上海工程技术大学、上海美术学院、上海师范大学、上海视觉艺术学院、四川美术学院、天津美术学院、西安理工大学、西安美术学院、西安欧亚学院、浙江传媒学院、中国美术学院、中央美术学院

主办单位：中国济南国际摄影双年展组委会

指导单位：中国摄影家协会教育委员会、中国高等教育学会摄影专业委员会

承办单位：西安理工大学艺术与设计学院、山东工艺美术学院

媒体支持：《中国摄影家》杂志

艺术总监：曾毅

总策展：张辉、黄荣华（土耳其）、柳银珪（韩国）

学术主持：姚璐

联合策展人

Agatha Bunanta(印度尼西亚)、Ampannee Satoh(泰国)、Ang Song Nian(新加坡)、敖国兴、白晓丹、戴菲、邓岩、董钧、Eiffel Chong(马来西亚)、Erzan Adam(新加坡)、胡晓阳、吉川直哉(日本)、贾方、矫健、Lachlan Gardiner(澳大利亚)、Laleper Aytek(土耳其)、李小舟、林简娇、刘阳、Nadia Oh Sueh Peng(新加坡)、Oh Soon-Hwa(韩国)、Salleh Japar(新加坡)、沈洁、史民峰、Tan Tay Guan(马来西亚)、Ugrid Jomyin(泰国)、王培蓓、王帅、杨赫、姚璐、张朴、张省会、中里和人(日本)

艺术委员会

鲍昆、百濑俊哉（日本）、曹珽、顾铮、方肃、胡钢锋、李树峰、林路、计卫舸、宿志刚、王保国、王川、王传东、武小川、谢爱军、徐国武、阳丽君、张成义、张希红、钟建明

执行委员会

执行策展人：张一天、高帆

展场设计：吕梦星

微信推广：胡敏瑞、吕梦星、赵懿平

视频拍摄：王天俊、王登轩

英文翻译：张心睿、常永鑫

展览时间：2022年10月25日-11月20日

展览地点：山东工艺美术学院美术馆

2020“异域·同天”中日韩高校摄影邀请展

·END·

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第九届济南国际摄影双年展（第9期）

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