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第九届济南国际摄影双年展(第10期)

“微芒成阳-亚太地区高校摄影邀请展”(第10期)

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济南国际摄影双年展第三届高校邀请展

“微芒成阳亚太地区高校摄影邀请展

—鲁迅美术学院


艺术总监:曾毅
总策展:张辉、黄荣华(土耳其)、柳银珪(韩国)
学术主持:姚璐

联合策展人:林简娇


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  鲁迅美术学院  


鲁迅美术学院摄影系是在全国高等艺术院校中第一个创建的摄影系,2021年更名为鲁迅美术学院影像艺术学院。影像艺术学院目前招生的专业有摄影专业(130404)、影视摄影与制作专业(130311T)、戏剧影视导演专业(130306)。

摄影专业基于美术学院背景下的浓厚艺术积淀,始终坚持与国际高等摄影教育理念接轨,坚持可持续发展的、满足时代需求的摄影专业教学模式,以高标准的艺术理念为引导,以服务区域经济文化发展为重点,立足辽宁、辐射东北、面向全国,旨在培养具有良好道德品质和深厚文化修养的高素质应用型摄影人才,建设具有鲁美特色的高水平的国内一流学科。教学优势有:严谨的传统摄影技术与最新的数字影像技术并重;经典的纯摄影创作与先锋的当代影像创作并重;全面的摄影理论与前沿的当代艺术理论并重。



LuXun Academy of Fine Arts

The Photography Department of Lu Xun Academy of Fine Arts is the first photography department established in China's higher art institutions. In 2021, it was renamed as the School of Video Art of Lu Xun Academy of Fine Arts. The School of Video Arts currently enrols Photography (130404), Film and Television Photography and Production (130311T), Drama Film and Television Directing (130306).


Professional photographers and deep artistic accumulation based on the background of academy of fine arts, always adhere to the line with international advanced photography education concept, adhere to the principle of sustainable development, meet the demand of era of professional photography teaching mode, with high standards of artistic idea as the guidance, to serve the regional economic and cultural development as the key point, based on liaoning, radiation northeast, facing the country, The aim is to cultivate high-quality applied photography talents with good moral quality and profound cultural accomplishment, and to build a high-level domestic first-class discipline with Lumei characteristics. Teaching advantages include: rigorous traditional photography technology and the latest digital image technology; Classical pure photography creation and pioneer contemporary image creation; Comprehensive photography theory and cutting-edge contemporary art theory.



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 严程 Yan Cheng

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鲁迅美术学院影像艺术学院副教授、硕士研究生导师、摄影系主任。展览:2019年8月作品《无何有》韩国仁川“亚洲海洋媒体艺术节”、2017年作品《无何有》 “丽水国际摄影节”、2014年作品《未可定义的青春-镜像》上海民生美术馆“2009—2014中国当代摄影展”。收藏:作品《未可定义的青春》被MOMA美国现代艺术博物馆收藏。

《无何有》

作品有选择的把当代艺术体系中的知名作品与对于该作品的阐述语言重叠粘合在一起,用词句语言替换掉具体图像中的形象。这是一个无需“解读”的“语言图像”(虽然阐释并不能完整构建出艺术作品全面的观念纬度),是关于解读的解读,因为作品中的原始图像本身不是物质实体而是理念实体,所以当词句语言和艺术的语言(观念的图像)重叠时,所有的解读图像的经验都失效于“无图像“,同时也是图像,一幅“语言的图像”。作品希望探讨这种重叠的双重性,是否会形成一种新的图像秩序和语意空间。

《Realm of Vagueness》
The work selectively overlaps the famous works in the contemporary art system with the elaboration language of the work, replacing the image in the specific image with the language of words. This is a no "interpretation" of the "language image" (although the interpretation does not build a complete works of art the idea of comprehensive latitude), is about the interpretation of interpretation, because the work of the original image itself is not a material entity but concept entity, so when the words of the art of language and language overlapping images (idea), All experience of interpreting images is invalidated by "no image", which is also an image, an "image of language". The work hopes to explore whether this overlapping duality will form a new image order and semantic space.
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《无何有》 2017—2019年 数字微喷 尺寸可变  作者:严程、刘亚轩



叶红 Ye Hong

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生于辽宁沈阳。现任鲁迅美术学院教师,副教授,硕士生导师。2020年,展览“由内至外——来自中国的新摄影”,英国贝尔法斯特。2019年第七届大学生影像艺术节金拴马桩奖,优秀指导教师奖。2018年编写教材《摄影摄像基础》。
《重置》 
2020年初我计划已久的埃及之旅得以成行,然而新冠疫情也在此时传播开来,匆匆结束了旅行,我回到家开始了为期不短的隔离生活。如今后疫情时代来临,许多问题与冲突提前爆发,进而使我们步入了一种新的世界格局之中。当病毒慢慢平息的时候,对于空间本身来讲或许并没有改变,但是“人无法两次踏入同一条河流”,人类运转的空间已经被重置。而那些曾经潜藏在人类社会中的诸多问题,也会像潮水褪去时海滩上留下的贝壳一样不可被无视。
Reset

My long-planned trip to Egypt in early 2020 was hastily cut short by the spread of the coronavirus, and I returned home to begin a lengthy quarantine. Now, with the advent of the post-pandemic era, many problems and conflicts have broken out ahead of time, and we have stepped into a new world pattern. When the virus dies down, the space itself may not change, but "you can't step into the same river twice," and the space in which humans operate has been reset. And the problems that once lurked in human society will be as undeniable as the shells left on the beach when the tide goes out.

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 盛开 Sheng Kai

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《万里尚为林》

“万里尚为邻”取自张九龄所写的古诗意为相知不分距离的远近即使远隔万里也能领会到对方的思绪,邻谐音又为“林”其意也指代不远万里的沟通与交流。此次作品就以沟通交流的视角出发以研究调查的形式试图在封校的校园中与树林、树木进行一场“交流” 。

对校园中的树进行编号、记录品种并根据当天状态与心情对树木进行倾诉并将时间记录下来之后再将树木反馈给我的声音进行录音记录,每一棵树在此时此地此刻所反馈给我的所有声音包括风吹动树叶的声音、鸟叫声、路过的行人、以及环境所带来的噪音都是树所给我的反馈,之后运用软件将所拍摄的树木与环境的图像作为载体加入录制的声音使音频在图像中实现可视化,每一张图像下面的数据记录了树的编号、品种名、我向树倾诉的时间以及树反馈给我的时间并根据录音音频所律动的图像进行截图并与我的自拍图像结合在一起形成最终结果。 

 
《Thousands of Miles of Forest》
"Ten thousand miles is a neighbor" from the ancient poetry written by Zhang Jiuling to know each other regardless of distance even thousands of miles away can understand each other's thoughts, and the homophony for "Lin" its meaning also refers to the communication and exchange of thousands of miles. From the perspective of communication, this work tries to conduct a "communication" with the woods and trees in the closed campus in the form of research and investigation.
I numbered the trees on campus, recorded the varieties, talked to the trees according to the state and mood of the day, recorded the time, and then recorded the voice of the trees back to me. Every tree in the here and now moment feedback to all of my voice including the sound of the wind blows the leaves, birds, passing pedestrians, and environmental noise are brought by the tree has given me feedback, after using the software will be taken by trees and the environment of the image as a carrier to record the voice of audio visualization in the image, The data below each image recorded the number of the tree, the name of the species, the time I talked to the tree and the time the tree gave me feedback. The screenshot was taken according to the rhythm of the recording audio and combined with my selfie image to form the final result.

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孙浩 Sun Hao


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陨星

陨石是太空漫步的旅人,也是链接古人与现代人的一个枢纽。从古至今,我们有很多关于陨石的故事,也对陨石包有很多看法,有人觉得它是幸运之神的降临,有人觉得它是厄运来临的前兆,有人也认为它是宇宙的运动为地球留下的痕迹,当宇宙的神秘感被赋予在它身上时,它或许真的可以为我们带来什么。在这组作品中,作者通过置景,微距,人像等多种拍摄手段,试图还原一个陨石在他印象中的神秘、浪漫、危险感,进而通过一丝微妙的关联,感知宇宙的气息,与此同时,它也代表着人类对于宇宙中未知事物的探索。


Meteorites

Meteorites are space-walking travelers and a link between ancient and modern people. Historically, we have a lot of stories about meteorites, also have a lot of comment on meteorites package, some people think it is luck, some people think it is a sign of bad luck coming, people also think that it is the movement of the universe for traces of the earth, when the mystery of the universe is given upon it, it maybe what can really bring us. In this group of works, the author tries to restore the mysterious, romantic and dangerous feeling of a meteorite in his impression by setting the scene, macro, portrait and other shooting methods, and then perceives the breath of the universe through a subtle connection. At the same time, it also represents the exploration of the unknown things in the universe.


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 申林 Shen Lin


《消逝的地平线》

身在都市中的我们很少会真正感知我们身边所处的环境。此次所拍摄的景观大多为北方工业城市沈阳的边缘以及被遗忘的景观,画面中出现比较强烈的视觉符号作为线索。

 东北城市独特的地域性文化优势在全球资本化过程中逐渐被弱化。而我的再次拍摄与踏足,对于这些被大多数人所漠视的景观来说是久违的被观看与感知。这促使我对这些边缘化日常景观建筑进行了重新思考,并重新探究这座北方城市褪去华丽的外表后逝去的繁荣。


《Lost Horizon》

Living in the city, we are rarely truly aware of our surroundings. Most of the landscapes captured are the edges and forgotten landscapes of the northern industrial city of Shenyang, with strong visual symbols as clues.
The unique regional cultural advantage of northeast cities is gradually weakened in the process of global capitalization. However, my re-shooting and stepping on these landscapes, which are ignored by most people, have not been seen and perceived for a long time. This prompted me to rethink these marginalized everyday landscape architecture, and to re-explore the lost prosperity of this northern city after shedding its gorgeous appearance.

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济南国际摄影双年展第三届高校邀请展“微芒成阳-亚太地区高校摄影邀请展”


美国参展院校:旧金山艺术大学



澳大利亚参展院校:昆士兰艺术学院



日本参展院校:大阪艺术大学、东京造形大学、日本九州产业大学



韩国参展院校:中央大学、弘益大学、中部大学、大邱艺术大学、韩国放送艺术教育学院



土耳其参展院校:萨班哲大学、科克大学



新加坡参展院校:拉萨尔艺术学院、南洋理工大学



马来西亚参展院校:拉曼大学学院



泰国参展院校:兰实大学



印度尼西亚参展院校:印尼日惹艺术学院



中国台湾地区参展院校:明道大学



中国参展院校:北京印刷学院、湖北美术学院、黄河科技学院、鲁迅美术学院、南京艺术学院、清华大学美术学院、山东工艺美术学院、上海工程技术大学、上海美术学院、上海师范大学、上海视觉艺术学院、四川美术学院、天津美术学院、西安理工大学、西安美术学院、西安欧亚学院、浙江传媒学院、中国美术学院、中央美术学院




主办单位:中国济南国际摄影双年展组委会    

指导单位:中国摄影家协会教育委员会、中国高等教育学会摄影专业委员会

承办单位:西安理工大学艺术与设计学院 、山东工艺美术学院

媒体支持:《中国摄影家》杂志    

艺术总监:曾毅

总策展:张辉、黄荣华(土耳其)柳银(韩国)

学术主持:姚璐

联合策展人

Agatha Bunanta(印度尼西亚)、Ampannee Satoh(泰国)、Ang Song Nian(新加坡)、敖国兴、白晓丹、戴菲、邓岩、董钧、Eiffel Chong(马来西亚)、Erzan Adam(新加坡)、胡晓阳、吉川直哉(日本)、贾方、矫健、Lachlan Gardiner(澳大利亚)、Laleper Aytek(土耳其)、李小舟、林简娇、刘阳、Nadia Oh Sueh Peng(新加坡)、Oh Soon-Hwa(韩国)、Salleh Japar(新加坡)、沈洁、史民峰、Tan Tay Guan(马来西亚)、Ugrid Jomyin(泰国)、王培蓓、王帅、杨赫、姚璐、张朴、张省会、中里和人(日本)

艺术委员会

鲍昆、百濑俊哉(日本)、曹珽、顾铮、方肃、胡钢锋、李树峰、林路、计卫舸、宿志刚、王保国、王川、王传东、武小川、谢爱军、徐国武、阳丽君、张成义、张希红、钟建明

执行委员会

执行策展人:张一天、高帆

展场设计:吕梦星

微信推广:胡敏瑞、吕梦星、赵懿平

视频拍摄:王天俊、王登轩

英文翻译:张心睿、常永鑫

展览时间:2022年10月25日-11月20日

展览地点:山东工艺美术学院美术馆




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