头条

“微芒成阳-亚太地区高校摄影邀请展”（第10期）

  西安欧亚学院  

Xi'an Eurasia University

EAaD is a college of art and design affiliated to Xi 'an Eurasia  University. Based on the field of art and design, the school applies the process of innovation and strategic problem solving to the fields of media and information communication, products and experience, systems and services, architecture and environment, and cultivates design talents with both experimental innovation ability and professional technical ability. Eide has extensive and in-depth communication and cooperation with academia and industry at home and abroad, making EIDE a locally rooted international design school.

张省会 Zhang Shenghui

《一年》

《One year》

谢钦 Xie Qin

毕业于西安美术学院摄影专业MFA。现为西安欧亚学院教师、副教授。作品曾受邀参加平遥国际摄影节；丽水国际摄影节；西安当代影像展等。写作、艺术评论发表于《澎湃新闻》、《中国摄影》、《电影文学》等。

《粉墨ll》

这是一组日常生活中的琐碎观察，在影像超载的时代，摄影如何以更加个体、独立的视角进行表达，这一媒介是否还有可延展性，或者它最本体的媒介语言便有着无可取代的创作动力，在现实背后还能看到什么，在图片之外还能给予什么？人与物的粉墨登场，是鲍德里亚说的主客体互换，是永不停歇的表演，是真假难辨，是灰色地带，或许这就是我们的时代和舞台。

《make oneself up and go on the stage ll》

This is a set of daily life trivial observation, in the era of image overload, photography, how to do more to express the perspective of individual, independent, whether the medium and ductibility, or it's ontology media language has irreplaceable creative power, can also see what behind reality, what else to give outside the picture? The appearance of human beings and objects is the exchange of subject and object described by Baudrillard, a never-ending performance, a difficult distinction between true and false, and a gray zone. Perhaps this is our era and stage.

在今天，社交焦虑似乎已成为当代人的一种常态。它是在社会问题和个体意识的交错撞击中所发生的一种主体性危机。不同的人在面对社交所拥有的心态与看法也是不尽相同的，从而衍生出一个新的词汇——社交焦虑，社交焦虑是指对某一种或多种人际处境有强烈的忧虑紧张不安或恐惧的情绪反应和回避行为。在世界上每个人都存在差异，其中存在一群对社交能力偏弱的人们，我们称他们为社交恐惧症者。我们依据我们的原型对其进行设计，讲述一个无性别的主人公在有形的保护罩下对自我行为的约束挣扎和自我沉思。

 《Cocoon》

《出声了》

Focus on the current group of young people, mainly subcultural youth. Through the investigation of the youth group, the exploration of self-cognition, the collision and combination of identity, self and the current cultural context, the self is used as the material and method, and the image works are constantly deduced and generated. The ideographic purpose of the works is achieved by juxtaposing static pictures and comprehensive materials. This raises the question of how I am constructed and presents the re-shaping of myself in the form of images.

陈子恺 刘姜伟 

Chen Zikai Liu Jiangwei

《若存若亡》

With the development of The Times and the fast pace of life at present, the past time and objects remain in people's memory, sometimes remembered in the heart, sometimes forgotten. This group of works records some past time and objects of the post-00s generation by means of static images. Let the viewer can wake up the good memory of a certain period of time, may be about a certain year, about a certain person, about some things, although in the memory has been fuzzy, but in the mind, or flash a good picture, leaving always good, miss, is also good.

·END·