第八届济南国际摄影双年展：“异域·同天” 中日韩高校摄影邀请展（第六期）- 西安美术学院_展览_大赛

董钧 DongJun

艺术家、策展人，西安美术学院影视动画系摄影专业主任，1839摄影奖发起人。曾在长征空间举办个展，作品在美国布罗德美术馆、美国Morono Kiang 画廊、韩国ARKO美术馆、台湾诚品画廊、澳门牛房艺术中心、UCCA尤伦斯当代艺术中心、长征空间、深圳OCAT美术馆、上海美术馆、银川当代美术馆、南艺美术馆、湖北美术馆、清华大学、中国独立影像年度展（CIFF）、云之南纪录影展、北京独立影展等展出及放映。

《贫乏于世的它性》

海德格尔曾在他1926年出版的《存在与时间》中，就提及动物问题。他认为动物只会消亡，而不会死亡。人建构世界，动物贫乏于世界（poverty inworld），石头则是无世界的。生物学家乌克威尔Johannes von Uexküll 通过蜜蜂的实验得到“动物迷醉于其无碍之环（its disinhibiting ring）中，它们与照面的一切东西都有所关联，恰是这一点才使得动物不能与人比邻而立，不能拥有世界。阿甘本认为，对动物来说，存在者是敞开的，然而也是不可通达的。也就是说，它们在一种不可通达和晦暗中开放……无‘去-蔽’的敞开（openness without disconcealment）将动物的贫乏于世与人类的建构世界区别开来。于我而言，在我们生活的广袤而丰富的世界里，“动物”更像是一个与人类共生弥久的时间遗产，我试图通过镜头和它们相遇在现实与历史中，也相识在真实与虚幻里。

《The Otherness That Is Poor in the World》

Heidegger mentioned the issue of animals in his "Being and Time" published in 1926. He believed that animals would only die, not die. Humans construct the world, animals are poor in the world, and stones are worldless. Biologist Johannes von Uexküll obtained through experiments with bees that “animals are fascinated by their disinhibiting ring (its disinhibiting ring). They are related to everything they face. It is this fact that makes animals unable to Standing next to people, you cannot own the world. Agamben believes that to animals, beings are open, but they are also inaccessible. In other words, they are open in a kind of inaccessibility and darkness... -The openness without disconcealment distinguishes the poverty of animals from the constructed world of humans. To me, in the vast and rich world we live in, "animals" are more like a human being The long-lasting time heritage of symbiosis, I tried to meet them through the lens in reality and history, and also in reality and illusion.