苏 晟 SuSheng
《原境》
《Original》
The focus on this subject comes from the term "contextual" mentioned in Mr. Wu Hong's work "Monumentality in Ancient Chinese Art and Architecture". Although it was a misunderstanding, it also made me interested in certain fields. When I walk around everywhere, I meet by chance in a certain space. Some images and symbols make interesting connections between history and reality. This connection may be based on the metaphorical characteristics of the objects in the scene mixed with the current reality, or it may be just my personal imagination. At the same time, these photos are ambiguous and do not constitute a strict contextual connection. The motivation for filming stems from my own loss. During most of the time when I was unable to encounter "connection", I always felt inexplicably anxious and uneasy about my identity and situation. When I cut out these scenes from the original context, some images and symbols are enlarged, and I stare in the new context. The situation of the objects in the scene is briefly connected to my situation, and these photos are obtained. Evidence of connection. My loss needs to be released in this connection.
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